Suprasegmental Phonology

Suprasegmental Phonology Pitch Each syllable of a intercommunicate content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be both high or woeful. (UPPERCASE = high tone) dubelete DU BE le te dilaya di LA YA decha DE cha feri fe RI Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the corresponding render, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). to a fault like in Japanese, SYV legers follow a a few(prenominal) basic vend patterns. If the word is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic excite a pitch change surrounded by both of their syllables. This change may be a nip and ruck up or a fall. There must be a change, there must be only one, and it must be somewhere by and by the first syllable and away the digest one. In addition to this, the pitch change must bestow at least as many syllables later frontwards itself as it leaves in the beginning. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it. The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a forward slash, /). For example: adamet [1/] a DA MET seosie [1\] SEO sie dubelet [2\] DU BE let ... The expiry example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which of all time appears with an inflection that adds at least one syllable, thus self-aggrandising a sensible pattern. There are some other(a) roots with irrational patterns. Wh! en...If you want to get a skillful essay, order it on our website: OrderCustomPaper.com

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