Impact Youth Subcultural Lifestyles and Values Essay

Impact Youth Subethnical Lifestyles and Values - Essay ExampleThe assay Impact Youth Subcultural Lifestyles and Values explores how fashion and harmony cast on the lifestyles and values. Both fashion and medicament suffered similar fate. Fashion seemed inclined to consider designer labels more important to wearability of the clothes. In music, post-modernism allowed the collage, pastiche and quotation, a hodgepodge way of creating music erasing the distinction between music genres. But superficial or not, music and fashion would definitely affect the cultural language and dynamics of contemporary younker. Mcrobbie (1994) wrote about the power and influence of music on fashion of young but the result was contrary to what many would perceive as sexist. Shabba Ranks, a raggae / pop music crossover musician created a rage called Ragga girls (p.183). This created a sensation in the 1990s when Ragga girls would be taken up not only by black girls but Asians and Caucasians. along with the music was a distinct fashion sense that separated Ragga girls from the mainstream. The Ragga girls wore the hair scraped back tightly into buns, exhausting gold jewellery, trainers, leggings and fake-fur winter coats. Examining the content of the song, many observed that the lyrics include sexist and homophobic contexts. The cultural reading material of the Ragga girls, however did not conform to what was observed. Instead, an alternative value on the power of the female sex and entertainment emerged. The dance routines that go with the Shabba Ranks music was considered explicit. also considered sexually explicit and bordering on the obscene. However, Mcrobbie (1994) would provide another account statement for the behaviour. The girls were merely expressing the rhetoric of a proud young female sexuality. It is combined with the sheer physical entertainment of dance, working together to produce a euphoria of pleasure and of power (p.184). The above example presented conseq uence that subculture of fashion and music was a departure from the frame of cultural contexts and values.Fashion and Music A postmodernist ConstructThe youth category on cultural and sociological research lacks appropriate definition and orientation. The motley of youth can differ from culture to culture. For example, preadolescent individuals and people in their 30s and 40s whitethorn comprise the youth sector of a given cultural context. The distinction may also be derived from chronology or cultural position (Bucholtz 2002,p.526). The youth represents a segment of society that many sociologists and anthropologists consider as innovative. The youth may work inside or outside the system depending on the situation. Traditional views consider the youth subculture were consequences of the lying-in consciousness where emergent subculture was authentic and in the first instance at least uncontaminated by an avaricious commercial culture (Mcrobbie 1994, p.179). The presumption is no l onger applicable as todays complex tender systems of mass media, commercial culture and the state (p.179). The proliferation of fashion and music purported to be rebellious expression of the youth against control and authority would in fact be more congruent with Michle Barretts observation that youth subculture is a product of turning to culture and the processes of symbolization (p.179)